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Jeudi 29 Juillet 2010
18:42
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Notes et commentaires publiés sur le travail de Denis Duclos Bill Schaffer
The Werewolf Complex remains one of the most provocative and interesting reflections on the functions of extreme violence in global culture. I also remain remain extremely curious as to how the author might respond to the question, raised in my review above, concerning the difficulty of differentaiting between 'symptomatic examples of' and "interrogative reflections upon' the syndrome he so well describes.
And I still think Reservoir Dogs poses this question in a particularly acute fashion ... Denis Duclos
Many thanks for your commentary. I am not sure I really got the point you raised. Symptom and syndrom are bound by nature, the first revealing the second, and the second explaining the first.
The problem in such cultural issues is that there is no other way to prove the existence of a syndrom except collecting symptoms. The 'werewolf complex' is now more than ten years old, but if I am still thinking it is a good tool for understanding the United States (even if the terrorist has replaced the serial killer), it is precisely because there is a theoretical frame at work. The theory is not complex : as the 'ultimate' version of the western democratic societies, the US culture emphazises both individual freedom and machinery of law. And there is a competition between the two, inflating at the same time the individual as a potential monster and the machinery as a potential 'matrix'. But this is a 'local' theory', which only makes sense if you locate it within the frame of a broader one : western cultures are organizing themselves around a specific conversation, concerning the rule of law. But each 'participant' in this conversation interprets differently the same object. For instance, the Germans tend to promote an association between law and national community, the Italians oppose law to local rules, and the French always recall the 'Power' that is supposed to enforce the law. Only the English are posing the law in a way the Americans will 'push' to an extremity. Now consider the 'criminal cultures' of all these countries : they reflect their different positions in the conversation : the English have made many steps in building up th 'monster' character (which comes from too much liberty, threaten by totalitarianism), the French are full of pity regarding the poor and mad people who kill, when they have no chance to shake the Authorities , The Germans (who have been excellent at producing altogether real collective monstrosities) are now trying to prove in tv movies how nice and friendly are the policemen in charge of calming down weirdos. And the Italians like to show you that -in Naples at least- cops and maffia guys collaborate tightly to help the city remaining as humane than ever. But the theory goes even farther : when the western countries are obsessed with freedom and law, the eastern ones are more interested with identity. Remember that the chinese ideograms are shared by most of peoples around China (despite the different oral tongues), which drives everybody there to search what being 'is represented' through writing. The question : 'who are you ?' is probably more important there than 'how are you disciplined in order to remain free ?'. I don't have much room to develop the idea, but you could probably find a lot of symptoms illustrating the 'chinese syndrom' (not the nuclear one !), in eastern cultures. How to be oneself (and being it in a specific place in the cosmos) is probably their main question, beginning with the corean way of becoming more westerners than the real ones (in some of their movie thrillers, it is striking). I could finally evoke the case of nomadic cultures which put the emphasis on pure freedom, the necessary principle of order being included in the freedom of the chief of the group. You know enough of the american culture to aknowledge that it is a principle of which destiny is to enter in conflict with the 'balance principle' which rules America. Indeed, imposing one's rule to one's descendants is quite the contrary of living free because of a common law, democratically set up. Godfather is not Matrix, and heroes that defend the Father's honour are simply terrorists in the view of the opposite culture. Of course, all this is very simplified, but something remains : there is probably a hidden conversation running about what is the difference between a heroe and a monster. And beyond the difficulty of the matter, it is probably something like a global conversation emerging there... denis duclos
Now, time has passed and I may finally confess that I am not as naïve as my last answer could incline the reader to think. I have perfectly understood M. Schaffer was worrying about violence that could be induced by movies, books or media. If I did not answer directly, it was in order to introduce some thinking about culture as a whole phenomenon, in which perpetrators and commentators are not to be separated, because their contributions are played on the same public stage, which, on its turn, depends of the 'national position' taken in the global conversation. But now, I can be more specific : If you review a great number of fatal events due to spree or mass killers, they are firstly to be related to a very special psychological structure : practically all of them are young suicidial hysterical males. You have perhaps some knowledge about this structure. It is defined primarily as 'hystery', which is a very ancient word whith which the greek doctors described a feminine syndrom : the women told them their uterus seemed to move in all their body. Later, the medical people confronted wtih hysteria kept the word but the symptoms had changed : skin burning without heat, automatic gestures, screams, etc. What did not change was the fact that women used their body to express something. Freud was the first researcher to give some attention to what they were saying by the mean of this body language. It appeared that they were opposing some sort of power (real or imaginary) over them. Doctors and psychoanalysts have generally access to mild symptoms. But these can be much more violent : the hysterical person can prefer mutilate herself (or himself), and even choose to die. But she wants things to be done publicly, as in a trial, because she wants to have her oppressor judged and condamned. The typical case in the past was the so called 'witch' who denounced a lot of people to make them die with her. The Salem story was one of the most impressive case in american history. Now, why especially women and not men ? Because , in our societies, women were (and still are) more frequently subjects to an instrumental sexuality ('true love' being, for example, was reserved to men in the ancien greece, leaving women in a sentimental state of frustration). So they could mix up in their mind at the same time a real oppression and a more secret desire.
But, what, when men are hysterical ? Well, we are all subjects to oppression, and we all want to react to it by displaying the situation on the public scene. We are all more or less hysterical, even when we only want to attract some attention, some interest from others. But, if we think that we have been really treated as objects, we don't react as women, because society show us a different way : we are incited to externalize violence upon others. So the scenario which is chosen, when things go really bad, is practically the same than for women -a public stage where the person asserts he will go beyond the ultimate limit- except for one thing : the violence exerted on himself will be 'theatralized' by killing other people, preferably with a 'masculine' weapon, as guns are supposed to be. Now, it is aknowledged that male hysterics are prone to utilize what society gives them as theatrical instruments. For example they can have use of 'nazi symbols', precisely because they know it is scandalous to do that. But, in no case can we condamn culture in itself. In fact two primary factors play some role in those impressive mass murders : access to weapons, and hysterical masculine structure. The only solution to decrease deadly trips is, then, made with two types of action : preventing young males from approaching deadly weapons, and being very careful with those young males who develop a 'feminine' sensitivity to oppression. Those two directions might be a lot more effective than censuring media or authors. DD Ecrire une réponse
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